Writing

Theory Fiction

On Xenoarchaeology (Upcoming)

Notes on Nightmare Gambler, or Pact with Demon‘, 2024

‘Boda Chen, the First and Last Dracologist’, Dragon-Carving for Writers, Wind&Bones, 2023

《关于巴黎地下墓穴的研究》, 吉娜水池Djinn Puddle, 2022

‘The Black Tower’, 吉娜水池 Djinn Puddle, 2022

Critique

The ‘Demon’ Traverses the () While I Am Sleeping’, Asymmetry Art Foundation, 2025

‘Devil’s Plot: notes “anterior” to Cosmos Cinema – 14th Shanghai Biennale’, Asymmetry Art Foundation, 2024

The Rotting World of ‘Decision to Leave’’, ArtReview, 2023

‘An Unsolved Murder Case Is Bad Abstraction’, Asymmetry Art Foundation, 2023

‘Shadow Lands: The Labyrinth of Death’, on Lee Kai Chung, The Shadow Lands Yonder, Qilu Criticism, 2022

《一切陰謀都通向死亡》, on Vunkwan Tam, F, 島聚daoju, 2022

‘Welcome to the Jungle’, The first Trans-Southeast Asia Triennial research exhibition series PROJECT #1, GAFA, 2022

《塞壬的沉默》,on Tan Jing: Trancing Lap Hung, QiLu Criticism, 2022

《原乐终末纪事, on Albert Serra, Liberté,阵地LeFront, 2021

《第三次生日》, QiLu Criticism, 2021

‘You do see me crossing the meadow stiff and dead from the mist?’
你看见穿过草地 从雾中飘来的死气了吗?’, on Lee Kai Chung, Outcast—The Narrow Road to the Deep Sea, 島聚daoju, 2021

‘Zen’s Puzzle, or a Puzzle of Zen? On Tomita Katsuya, Tenzo ’, The Art Columnist, 2020

Essay, Conference Paper, etc

‘Black Water: Unsolved Murder Case and the Exteriority’, SLSA 2023: Alien, Arizona State University